I write novels. And with just about every novel I write, I try to do something new or different that I haven’t done before, in order to challenge myself as a writer, and to keep developing my skills. In The Android’s Dream, of example, I wrote in the third person for the first time; in Zoe’s Tale, I had a main character—a sixteen year old girl—whose life experience was substantially different from my own; with The Human Division, I wrote a novel comprised of thirteen stand-alone “episodes.”

And now? With Lock In? What new thing have I done to stretch myself as a writer and teller of tales? Well, I’ll tell you; it’s something I’m really proud of, actually:

I’ve written a novel entirely free of semicolons.

John Scalzi in Pacing Doesn’t Just Mean Wearing a Groove in the Floor.

6 thoughts on “John Scalzi on Semicolons

  1. Like that final note, that whisper for forgiveness on bended knee; a semi-colon here and there is forgiven. It allows the sweet taste of mental interchange to hover, that invisible goodness between minds.