Monk was the master of the single note, perfectly selected, timed, and struck so that it would have a symphonic amplitude. The asymptote of his music is a punctuated silence, which is why he was especially sensitive to his drummers and dependent on them to organize the music’s forward motion.
The New Yorker reviews the 15 CD set, The Best of Thelonious Monk, which sounds like a lovely set of music to spend a weekend with.